1. Dualities in Igor Stravinsky's Compositional Process as seen in "The Nightingale" (1908-1914) Open Access Author: Grant, Aaron Benjamin Title: Dualities in Igor Stravinsky's Compositional Process as seen in "The Nightingale" (1908-1914) Graduate Program: Music Keywords: Stravinskydualitiescompositional processThe NightingaleSketches File: Download AaronGrantThesis.pdf Committee Members: Maureen Ann Carr, Thesis Advisor/Co-AdvisorMaureen Ann Carr, Thesis Advisor/Co-AdvisorTaylor Aitken Greer, Thesis Advisor/Co-Advisor
2. Tonal Ambiguity and Set Relationships in Liszt's Death Pieces Open Access Author: Schaeffer, Jeffrey Title: Tonal Ambiguity and Set Relationships in Liszt's Death Pieces Graduate Program: Music Theory and History Keywords: am grabe richard wagnersla lugubre gondoladeathtonal ambiguityLisztwagnerrichard wagner-venezia File: Download Schaeffer_Final.pdf Committee Members: Dr Eric Mc Kee, Thesis Advisor/Co-AdvisorMaureen Ann Carr, Thesis Advisor/Co-AdvisorTaylor Aitken Greer, Thesis Advisor/Co-AdvisorEric John Mckee, Thesis Advisor/Co-Advisor
3. Intermedial and Aesthetic Influences on Erik Satie's Late Compositional Practices Open Access Author: Boerner, Michael Stephen Title: Intermedial and Aesthetic Influences on Erik Satie's Late Compositional Practices Graduate Program: Music Theory Keywords: Erik SatieGeorges Ribemont-DessaignesDadaSurrealCubistaestheticsintermedial File: Download Boerner_Thesis.pdf Committee Members: Taylor Aitken Greer, Thesis Advisor/Co-AdvisorMaureen Ann Carr, Thesis Advisor/Co-Advisor